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Es wurden keine Datensätze gefundenDie Anfrage war Beschreibung:("Handels Israelite oratorios are today little known among non-specialists, but in their own day they were unique, pioneering und extremely popular. Dating from the period 1732-1752, they combine the musical conventions of Italian opera with dramatic plots in English that are adaptations of Old Testament narratives. They constitute a form of biblical interpretation, but to date, there has been no thoroughgoing study of the theological ideas oder the attitudes towards the biblical text that might be conveyed in the oratorios libretti. This book aims to fill that gap from an interdisciplinary perspective. Combining the insights of present-day biblical studies with those of Handelian studies, Deborah W. Rooke examines the libretti of ten oratorios - Esther, Deborah, Athalia, Saul, Samson, Joseph")(mehrsprachige Begriffe zeigen...)
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Es wurden keine Datensätze gefunden (Suchanfrage:Beschreibung:("Handels Israelite oratorios are today little known among non-specialists, but in their own day they were unique, pioneering und extremely popular. Dating from the period 1732-1752, they combine the musical conventions of Italian opera with dramatic plots in English that are adaptations of Old Testament narratives. They constitute a form of biblical interpretation, but to date, there has been no thoroughgoing study of the theological ideas oder the attitudes towards the biblical text that might be conveyed in the oratorios libretti. This book aims to fill that gap from an interdisciplinary perspective. Combining the insights of present-day biblical studies with those of Handelian studies, Deborah W. Rooke examines the libretti of ten oratorios - Esther, Deborah, Athalia, Saul, Samson, Joseph"))
Es wurden keine Datensätze gefundenDie Anfrage war Beschreibung:("Handels Israelite oratorios are today little known among non-specialists, but in their own day they were unique, pioneering und extremely popular. Dating from the period 1732-1752, they combine the musical conventions of Italian opera with dramatic plots in English that are adaptations of Old Testament narratives. They constitute a form of biblical interpretation, but to date, there has been no thoroughgoing study of the theological ideas oder the attitudes towards the biblical text that might be conveyed in the oratorios libretti. This book aims to fill that gap from an interdisciplinary perspective. Combining the insights of present-day biblical studies with those of Handelian studies, Deborah W. Rooke examines the libretti of ten oratorios - Esther, Deborah, Athalia, Saul, Samson, Joseph")(mehrsprachige Begriffe zeigen...)
Datensätze 1 bis 0
1
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