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      <field key="001" subfield="">0304064</field>
      <field key="004" subfield="">20130613110912</field>
      <field key="030" subfield="">a|||d</field>
      <field key="036" subfield="b">GBR</field>
      <field key="050" subfield="">B</field>
      <field key="050" subfield="">a</field>
      <field key="051" subfield="">s</field>
      <field key="100" subfield="b">Spicer, Mark Stuart [Hrsg.]</field>
      <field key="331" subfield="">Rock music</field>
      <field key="359" subfield="">ed. by Mark Spicer</field>
      <field key="410" subfield="">Farnham</field>
      <field key="412" subfield="">Ashgate</field>
      <field key="425" subfield="">2011</field>
      <field key="433" subfield="">XXIV, 474 S. : Ill., Notenbeisp. ; 25 cm</field>
      <field key="454" subfield="">¬The¬ library of essays on popular music</field>
      <field key="501" subfield="">Inhalt: Introduction; Part I Histories, Aesthetics, and Ideologies: Prolegomena to any aesthetics of rock music, Bruce Baugh; Fans and critics: Greil Marcus's Mystery Train as rock and roll history, Mark Mazullo; Synergies and reciprocities: the dynamics of musical and professional interaction between the Beatles and Bob Dylan, Ian Inglis; The hippie aesthetic: cultural positioning and musical ambition in early progressive rock, John Covach; Consuming nature: the Grateful Dead's performance of an anticommercial counterculture, Nadya Zimmerman; The future is now...and then: sonic historiography in post-1960s rock, Kevin Holm-Hudson; Indie: the institutional politics and aesthetics of a popular music genre, David Hesmondhalgh; When women play the bass: instrument specialization and gender interpretation in alternative rock music, Mary Ann Clawson; All singers are dicks, Deena Weinstein; Intimacy and distance: on Stipe's queerness, Fred Maus.; Part II Sounds, Structures and Styles: The melodic-harmonic 'divorce' in rock, David Temperley; Triadic modal and pentatonic patterns in rock music, Nicole Biamonte; Transformation in rock harmony: an explanatory strategy, Christopher Doll; The persona-environment relation in recorded song, Allan F. Moore; (Ac)cumulative form in pop-rock music, Mark Spicer; Every inch of my love: Led Zeppelin and the problem of cock rock, Steve Waksman; Examining rhythmic and metric practices in Led Zeppelin's musical style, John Brackett; Bob Dylan and Jimi Hendrix: juxtaposition and transformation All Along the Watchtower, Albin Zak; The learned vs. the vernacular in the songs of Billy Joel, Walter Everett; Text, sound, and identity in Korn's Hey Daddy, Jonathan Pieslak.</field>
      <field key="540" subfield="a">ISBN 978-0-7546-2956-6 Pp. : EUR 172,20</field>
      <field key="540" subfield="b">ISBN 0-7546-2956-2</field>
      <field key="700" subfield="">280</field>
      <field key="710" subfield="f">Aufsatzsammlung</field>
      <field key="710" subfield="s">Rockmusik</field>
      <field key="750" subfield="">Gathering together articles from among the best scholarly writing on rock music, these diverse essays reflect the wide range of approaches that scholars in various disciplines have applied to the study of rock. [Verlagsangabe]</field>
      <field key="902" subfield="f">11╧Aufsatzsammlung</field>
      <field key="902" subfield="s">Rockmusik</field>
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