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      <record key="###" att1="###" att2="20403" att3="01000024" recordType="h" att4="h">### 20403nM2.01000024      h</record>
      <field key="001" subfield="">0281463</field>
      <field key="004" subfield="">20130613105037</field>
      <field key="030" subfield="">a|||d</field>
      <field key="036" subfield="b">USA</field>
      <field key="050" subfield="">B</field>
      <field key="050" subfield="">a</field>
      <field key="051" subfield="">s</field>
      <field key="100" subfield="">Newman, Nancy</field>
      <field key="331" subfield="">Good music for a free people</field>
      <field key="335" subfield="">the Germania Musical Society in nineteenth-century</field>
      <field key="359" subfield="">Nancy Newman</field>
      <field key="403" subfield="">1. publ.</field>
      <field key="410" subfield="">Rochester, NY</field>
      <field key="412" subfield="">University of Rochester Press</field>
      <field key="425" subfield="">2010</field>
      <field key="433" subfield="">XV, 315 S. : Ill. ; 23 cm</field>
      <field key="454" subfield="">Eastman studies in music</field>
      <field key="455" subfield="">81</field>
      <field key="540" subfield="a">ISBN 978-1-580-46345-4 Pp. : EUR 53,33</field>
      <field key="540" subfield="b">ISBN 1-580-46345-2</field>
      <field key="700" subfield="">220</field>
      <field key="710" subfield="g">USA</field>
      <field key="710" subfield="k">Germania Musical Society</field>
      <field key="710" subfield="z">Geschichte</field>
      <field key="750" subfield="">In "Good Music for a Free People", author Nancy Newman examines the activities and reception of the Germania Musical Society, an orchestra whose members emigrated from Berlin during the Revolutions of 1848. These two dozen "Forty-Eighters" gave nearly a thousand concerts in North America during the ensuing six-year period, possibly reaching a million listeners. Drawing on a memoir by member Henry Albrecht, Newman provides insights into the musicians' desire to bring their music to the audiences of a democratic republic at this turbulent time. Eager to avoid the egotism and self-promotion of the European patronage system, they pledged to work for their mutual interests both musically and socially. "One for all, and all for one" became their motto. Originally published in German, Albrecht's memoir is presented here in for the first time in translation. [Verlagsangabe]</field>
      <field key="902" subfield="g">USA</field>
      <field key="902" subfield="k">11╧Germania Musical Society</field>
      <field key="902" subfield="z">11╧Geschichte</field>
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