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      <field key="001" subfield="">0231414</field>
      <field key="004" subfield="">20130613100935</field>
      <field key="030" subfield="">a|||d</field>
      <field key="036" subfield="b">GBR</field>
      <field key="050" subfield="">B</field>
      <field key="050" subfield="">a</field>
      <field key="051" subfield="">m</field>
      <field key="100" subfield="">Wistreich, Richard</field>
      <field key="331" subfield="">Warrior, courtier, singer</field>
      <field key="335" subfield="">Giulio Cesare Brancaccio and the performance of identity in the late Renaissance</field>
      <field key="359" subfield="">Richard Wistreich</field>
      <field key="410" subfield="">Aldershot</field>
      <field key="412" subfield="">Ashgate</field>
      <field key="425" subfield="">2007</field>
      <field key="433" subfield="">XII, 332 S. : Ill. ; 25 cm</field>
      <field key="501" subfield="">Literaturverz. S. [303] - 321. - Inhalt: Introduction. Part 1 Identity of a Performer: Napolitano y de buena casta; Sieur Jule Brancasse, gentilhomme ordinaire de la Chambre du Roy; Il più veterano tra' soldati. Part 2 Bass Song: Il basso del Brancazio; Per basso solo; Basso alla bastarda. Part 3 Performance of Identity: Poco preggio di soldato, ma anche di Corteggiano; Tra novelle sirene; Canti in dolce tenzon. Appendices; Bibliography; Index.</field>
      <field key="540" subfield="a">ISBN 0-7546-5414-1 Gewebe : EUR 81,02</field>
      <field key="540" subfield="b">ISBN 978-0-7546-5414-8</field>
      <field key="700" subfield="">290</field>
      <field key="710" subfield="">Geschichte 1500-1600</field>
      <field key="710" subfield="f">Biographie</field>
      <field key="710" subfield="g">Italien</field>
      <field key="710" subfield="p">Brancaccio, Giulio Cesare</field>
      <field key="710" subfield="s">Gesang</field>
      <field key="710" subfield="s">Bassist &lt;Sänger&gt;</field>
      <field key="710" subfield="s">Historische Musikpraxis</field>
      <field key="750" subfield="">Giulio Cesare Brancaccio was a Neapolitan nobleman with long practical experience of military life, first in the service of Charles V and later as both soldier and courtier in France and then at the court of Alfonso II d'Este at Ferrara. He was also a virtuoso bass singer whose performances were praised by both Tasso and Guarini - he was even for a while the only male member of the famous Ferrarese court Concerto delle dame, who established a legendary reputation during the 1580s. -- Richard Wistreich examines Brancaccio's life in detail and from this it becomes possible to consider the mental and social world of a warrior and courtier with musical skills in a broader context. A wide-ranging study of bass singing in sixteenth- and early seventeenth-century Italy provides a contextual basis from which to consider Brancaccio's reputation as a performer. Wistreich illustrates the use of music in the process of 'self-fashioning' and the role of performance of all kinds in the construction of male noble identity within court culture, including the nature and currency of honour, chivalric virtù and sixteenth-century notions of gender and virility in relation to musical performance. [Verlagsangabe]</field>
      <field key="902" subfield="">11╧Geschichte 1500-1600</field>
      <field key="902" subfield="g">Italien</field>
      <field key="902" subfield="s">Bassist &lt;Sänger&gt;</field>
      <field key="907" subfield="">11╧Geschichte 1500-1600</field>
      <field key="907" subfield="g">Italien</field>
      <field key="907" subfield="s">Gesang</field>
      <field key="907" subfield="s">Historische Musikpraxis</field>
      <field key="912" subfield="f">11╧Biographie</field>
      <field key="912" subfield="p">11╧Brancaccio, Giulio Cesare</field>
    </SEQUENTIAL>
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