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    <identifier>hdl:11471/505.20.168</identifier>
    <datestamp>2021-04-23T09:59:20Z</datestamp>
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<europeana:record xmlns:europeana="http://www.europeana.eu/schemas/ese/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xsi:schemaLocation="http://www.europeana.eu/schemas/ese/ http://www.europeana.eu/schemas/ese/ESE-V3.4.xsd"><dc:title>Group portrait of Darinka Jovanović and her children</dc:title><dc:creator>Jovanović, Milan</dc:creator><dc:contributor>Austrian Science Fund (FWF): P 22104-G18</dc:contributor><dc:description>Full-length shot of a woman and three children. The woman is sitting in a wooden armchair, holding a baby on her lap. Two boys are standing beside her on a kind of wooden bench which is partly covered with a ćilim (woven tapestry-style rug). One of the boys is dressed in a dark suit, while the other one is wearing a sailor-style shirt. The woman is dressed in a dark, floor-length dress and the baby is wearing a white tunic. The boys are holding each other's hands. A painted canvas backdrop is creating the impression of the scene being set indoors.</dc:description><dc:description>Darinka Jovanović, née Hadži Kostić, was the wife of Milan Jovanović (1863, Vršac – 1944, Belgrade), who was one of the most influential photographers of his generation and worked as a court photographer in his studio in Belgrade. They had four children together; three of them are in this picture: Stevan, Dušan and Pavle.</dc:description><dc:description/><dc:subject>Photography</dc:subject><dc:subject>Woven Fabrics</dc:subject><dc:subject>Clothing</dc:subject><dc:subject>Adornment</dc:subject><dc:subject>Personal Names</dc:subject><dc:subject>Status, Role, and Prestige</dc:subject><dc:subject>Social Stratification</dc:subject><dc:subject>Familiy</dc:subject><dc:subject>Uniform and Accouterment</dc:subject><dc:subject>Infancy and Childhood</dc:subject><dc:subject>Gender Roles and Issues</dc:subject><dc:source>Muzej Primenjene Umetnosti, 20181</dc:source><dc:publisher>Southeast European History and Anthropology, Institute of
            History, University of Graz</dc:publisher><dc:contributor>Ana Djordjevic</dc:contributor><dc:relation>Visual Archive of Southeastern Europe</dc:relation><dc:rights>Resource licensed under Creative Commons BY-NC-SA 4.0</dc:rights><dc:type>DigitalObject</dc:type><dc:identifier>http://hdl.handle.net/11471/505.20.168</dc:identifier><dcterms:isPartOf>http://gams.uni-graz.at/vase</dcterms:isPartOf><dcterms:spatial>Serbia</dcterms:spatial><dcterms:temporal>1893-1896</dcterms:temporal><europeana:object>http://gams.uni-graz.at/o:vase.1152/IMAGE.1</europeana:object><europeana:provider>EuropeanaLocal Austria</europeana:provider><europeana:type>IMAGE</europeana:type><europeana:rights>http://creativecommons.org/licenses/by-nc-sa/4.0/</europeana:rights><europeana:dataProvider>University of Graz</europeana:dataProvider><europeana:isShownAt>http://gams.uni-graz.at/o:vase.1152</europeana:isShownAt></europeana:record>  </metadata>
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