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  <header>
    <identifier>info:fedora/oai:e-book.fwf.ac.at:o:373</identifier>
    <datestamp>2018-09-20T09:38:09Z</datestamp>
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<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
  <dc:title xml:lang="deu">Im Dienste einer Staatsidee</dc:title>
  <dc:title xml:lang="eng">Under political aspects</dc:title>
  <dc:subject xml:lang="eng">ÖFOS 2002, Musicology</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2002, Musikwissenschaft</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2002, Geisteswissenschaften interdisziplinär</dc:subject>
  <dc:subject xml:lang="eng">ÖFOS 2002, Humanities (interdisciplinary)</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2002, Österreichische Geschichte</dc:subject>
  <dc:subject xml:lang="eng">ÖFOS 2002, Austrian history</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories, Social &amp; cultural history</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Qualifiers, Holy Roman Empire</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Qualifiers, Austria</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories, Theory of music &amp; musicology</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories, Art &amp; design styles: Baroque</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories, Baroque music (c 1600 to c 1750)</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories, Literary studies: c 1500 to c 1800</dc:subject>
  <dc:subject xml:lang="deu">Musikwissenschaft, österreichische Geschichte, Barock, Habsburg, Repräsentation</dc:subject>
  <dc:subject xml:lang="eng">musicology, austrian history, baroque, hapsburg, representation</dc:subject>
  <dc:description xml:lang="deu">Bis heute wird der Tod Karls VI. und der Regierungsantritt Maria Theresias 1740 als eine einschneidende Zäsur in der österreichischen Geschichte gesehen. Doch nun stellt sich vor dem Hintergrund eines weitergefassten Schnittstellenbegriffes (Reinhart Koselleck) die Frage, ob der zweifellos grundlegende Wandel zwischen 1720 und 1780 nicht differenzierter gesehen werden muss. Ausgehend vom Raum des Wiener Hofes, an dem der Herrscherwechsel in seinen Auswirkungen am ehesten dokumentiert werden kann, wird aus der Sicht sogenannten Hofkünste versucht, Kontinuitäten und Diskontinuitäten aufzuzeigen.</dc:description>
  <dc:description xml:lang="eng">Until today, the death of Charles VI and Maria Theresia’s ascending the throne 1740 is seen as a major turning point in Austrian history. But now is the question of whether in different “layers” and “rooms” without doubt fundamental change between 1720 and 1780 not differentiated must be seen against the background of the concept of interface (“Sattelzeit”/Reinhart Koselleck). On the basis of the space “Viennese court”, where the change of rulers in its effects most likely can be documented, attempts from the perspective of different disciplines (the so called “Hofkünste” – literature/poetry, arts, theatre/dance, music) point out continuities and discontinuities.</dc:description>
  <dc:publisher>Fritz-Hilscher, E. (Elisabeth)</dc:publisher>
  <dc:publisher>Böhlau</dc:publisher>
  <dc:date>2013-05</dc:date>
  <dc:type>info:eu-repo/semantics/book</dc:type>
  <dc:format>application/pdf</dc:format>
  <dc:format>11852523 bytes</dc:format>
  <dc:identifier>o:373</dc:identifier>
  <dc:identifier>https://e-book.fwf.ac.at/o:373</dc:identifier>
  <dc:language>deu</dc:language>
  <dc:rights>http://creativecommons.org/licenses/by-nc-nd/3.0/at/</dc:rights>
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