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    <record xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:prov="http://www.openarchives.org/OAI/2.0/provenance">
  <header>
    <identifier>info:fedora/oai:e-book.fwf.ac.at:o:1218</identifier>
    <datestamp>2018-09-20T09:38:24Z</datestamp>
  </header>
  <metadata>

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  <dc:title xml:lang="deu">John Gibson &amp; Antonio Canova. Rezeption, Transfer, Inszenierung</dc:title>
  <dc:creator>Frasca-Rath, A. (Anna Sophie)</dc:creator>
  <dc:subject xml:lang="deu">ÖFOS 2012, Kunstgeschichte</dc:subject>
  <dc:subject xml:lang="eng">ÖFOS 2012, Art history</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories, Art &amp; design styles: Classicism</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories, Sculpture</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories, Individual artists, art monographs</dc:subject>
  <dc:subject xml:lang="deu">Skulptur, Neo-Klassizismus, 19. Jahrhundert, John Gibson, Antonio Canova</dc:subject>
  <dc:subject xml:lang="eng">Sculpture, Neo-Classicism, 19th century, John Gibson, Antonio Canova</dc:subject>
  <dc:description xml:lang="deu">Das Buch widmet sich dem britischen Bildhauer John Gibson (1790-1866) und seiner Auseinandersetzung mit Antonio Canova (1757-1822). Untersucht werden Gibsons römische Lehrjahre, seine Rolle im künstlerischen Transfer und seine Inszenierungsstrategien als „britischer Phidias“. Die kritische Auswertung des umfassenden Quellenmaterials liefert wichtige Erkenntnisse zu Gibsons Leben und Werk und darüber hinaus neue Einblicke in weitere Themenfelder der Skulptur des 19. Jahrhunderts.</dc:description>
  <dc:description xml:lang="eng">The book is dedicated to the sculptor John Gibson (1790-1866) and his relationship with Antonio Canova (1757-1822). It analyses Gibson’s early years in Rome, his role in anlgo-roman artistic exchange and his self-fashioning strategy as „Britain’s Phidias“. Through the examination of extensive source material the study gives insights into Gibson’s life and work and opens new perspectives on the broader field of 19th century sculpture.</dc:description>
  <dc:publisher>Böhlau</dc:publisher>
  <dc:date>2018-09</dc:date>
  <dc:type>Text</dc:type>
  <dc:format>application/pdf</dc:format>
  <dc:format>19041559 bytes</dc:format>
  <dc:identifier>o:1218</dc:identifier>
  <dc:identifier>https://e-book.fwf.ac.at/o:1218</dc:identifier>
  <dc:language>deu</dc:language>
  <dc:rights>http://creativecommons.org/licenses/by/4.0/</dc:rights>
</oai_dc:dc>
  </metadata>
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