<section name="raw">
    <SEQUENTIAL>
      <record key="###" att1="###" att2="20701" att3="01000024" recordType="h" att4="h">### 20701nM2.01000024      h</record>
      <field key="001" subfield="">0287150</field>
      <field key="004" subfield="">20130613105305</field>
      <field key="030" subfield="">a|||d</field>
      <field key="050" subfield="">B</field>
      <field key="050" subfield="">a</field>
      <field key="051" subfield="">n</field>
      <field key="100" subfield="">Chorley, Henry Fothergill</field>
      <field key="331" subfield="">Music and manners in France and Germany</field>
      <field key="335" subfield="">a series of travelling sketches of art and society ; [in three volumes]</field>
      <field key="359" subfield="">Henry Fothergill Chorley</field>
      <field key="403" subfield="">[Nachdr. der Ausg.] London 1841</field>
      <field key="410" subfield="">Cambridge [u.a.]</field>
      <field key="412" subfield="">Cambridge University Press</field>
      <field key="454" subfield="">Cambridge library collection</field>
      <field key="540" subfield="a">ISBN 978-1-108-00203-5 kart. : EUR 50,07</field>
      <field key="540" subfield="b">ISBN 1-108-00203-X</field>
      <field key="710" subfield="">Geschichte 1840-1844</field>
      <field key="710" subfield="f">Quelle</field>
      <field key="710" subfield="g">Frankreich</field>
      <field key="710" subfield="g">Deutschland</field>
      <field key="710" subfield="s">Musik</field>
      <field key="750" subfield="">Henry Fothergill Chorley was music critic of The Athenaeum for over thirty years. This three-volume book, published in 1841, originated in a journal written by Chorley while travelling in Europe. His aim was to 'illustrate the present state of theatrical, orchestral, and chamber music abroad', focusing on aspects that would be least familiar to an English readership. There are detailed accounts of Paris and Berlin, with prominence given to opera, theatre, art galleries and monuments. Chorley also describes visits to Brunswick, Leipzig, Dresden and Nuremburg, and performances by artists including Mendelssohn and Liszt. He intersperses anecdotes about transport, lodgings, landscapes and local customs. Chorley's incisive and entertaining eyewitness accounts will fascinate music-lovers and theatre historians, as well as others interested in the performing arts or travel writing in the nineteenth century. [Verlagsangabe]</field>
      <field key="902" subfield="">11╧Geschichte 1840-1844</field>
      <field key="902" subfield="f">11╧Quelle</field>
      <field key="902" subfield="g">Frankreich</field>
      <field key="902" subfield="s">Musik</field>
      <field key="907" subfield="">11╧Geschichte 1840-1844</field>
      <field key="907" subfield="f">11╧Quelle</field>
      <field key="907" subfield="g">Deutschland</field>
      <field key="907" subfield="s">Musik</field>
    </SEQUENTIAL>
  </section>