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      <field key="001" subfield="">0251575</field>
      <field key="004" subfield="">20130613102730</field>
      <field key="030" subfield="">a|||d</field>
      <field key="036" subfield="b">GBR</field>
      <field key="050" subfield="">B</field>
      <field key="050" subfield="">a</field>
      <field key="051" subfield="">m</field>
      <field key="100" subfield="">Tunbridge, Laura</field>
      <field key="331" subfield="">Schumann's late style</field>
      <field key="359" subfield="">Laura Tunbridge</field>
      <field key="403" subfield="">1. publ.</field>
      <field key="410" subfield="">Cambridge [u.a.]</field>
      <field key="412" subfield="">Cambridge University Press</field>
      <field key="425" subfield="">2007</field>
      <field key="433" subfield="">246 S. : Notenbeisp. ; 25 cm</field>
      <field key="501" subfield="">Literaturverz. S. [228] - 239. - Inhalt: Introduction: Raising Schumann; 1. Songs of farewell; 2. The sound of legend; 3. Collecting thoughts; 4. Hearing voices; 5. On a cracked bell; 6. In search of Diotima; Appendix: Chronology of Schumann's compositions, 1850-1856; Bibliography.</field>
      <field key="540" subfield="a">ISBN 0-521-87168-9 Ln. : EUR 71,87</field>
      <field key="540" subfield="b">ISBN 978-0-521-87168-6</field>
      <field key="700" subfield="">290</field>
      <field key="710" subfield="">Geschichte 1850-1856</field>
      <field key="710" subfield="p">Schumann, Robert</field>
      <field key="710" subfield="s">Komposition &lt;Musik&gt;</field>
      <field key="750" subfield="">Schumann's Late Style is the first study in English devoted to Robert Schumann's little-known music from the 1850s. The reason most often given for these works having been considered lesser achievements than the earlier song and piano cycles is that Schumann's mental illness had a detrimental effect on his compositions. However, this study demonstrates that there were several other, still more complex, reasons why the music from the 1850s sounded different. Schumann had started to compose 'in a new manner', depending more on preliminary sketches; he also began to write for larger forces (orchestra and chorus), which required a more 'public' style of music, as is also apparent in his works on nationalist themes, and in his more commercial pieces for children. This book thus attempts to disentangle assumptions about Schumann's late style from biographical interpretations, and to consider it in broader artistic, social and cultural contexts. [Verlagsangabe]</field>
      <field key="902" subfield="">11╧Geschichte 1850-1856</field>
      <field key="902" subfield="p">11╧Schumann, Robert</field>
      <field key="902" subfield="s">Komposition &lt;Musik&gt;</field>
    </SEQUENTIAL>
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