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      <field key="036" subfield="b">GBR</field>
      <field key="050" subfield="">B</field>
      <field key="050" subfield="">a</field>
      <field key="051" subfield="">m</field>
      <field key="100" subfield="b">Tenzer, Michael [Hrsg.]</field>
      <field key="331" subfield="">Analytical studies in world music</field>
      <field key="359" subfield="">ed. by Michael Tenzer</field>
      <field key="410" subfield="">Oxford [u.a.]</field>
      <field key="412" subfield="">Oxford University Press</field>
      <field key="425" subfield="">2006</field>
      <field key="433" subfield="">XV, 443 S. : Ill. u. Notenbeisp. ; 24 cm + 1 CD (12 cm)</field>
      <field key="501" subfield="">Inhalt: Introduction: Musics of the World: Analysis, Categorization and Theory Michael Tenzer -- PART I: Sectional Periodicities: Poetry, Song, Ritual -- Chapter 1: Nava'i, A Musical Genre of Northeastern Iran (CD tracks 1-2) Stephen Blum -- Chapter 2: How to Spin a Good Horo: Melody, Mode and Musicianship in the Composition of Bulgarian Dance Tunes (CD tracks 3-4) Donna Buchanan and Stuart Folse -- Chapter 3: Flamenco in Focus: An Analysis of a Performance of Soleares (CD track 5) Peter Manuel -- Chapter 4: An Afro-Cuban Bat  Piece for Obatal , King of the White Cloth (CD track 6) Robin Moore and Elizabeth Sayre -- PART II: Isoperiodicity: From Strict to Discursive, with Variations -- Chapter 5: Aka polyphony: Music, theory, back and forth (CD tracks 7-11) Susanne Fürniss -- Chapter 6: Oleg Tumulilingan: Layers of Time and Melody in Balinese Music (CD track 12) Michael Tenzer -- Chapter 7: Flexing the Frame in Javanese Gamelan Music: Playfulness in a Performance of Ladrang Pangkur (CD track 13) R. Anderson Sutton and Roger Vetter -- PART III: Linear Composition in Periodic Contexts -- Chapter 8: Yang's Eight Pieces: Composing a Musical Set-Piece in a Chinese Local Opera Tradition (CD track 14) Jonathan Stock -- Chapter 9: Architectonic Composition in South Indian Classical Music: The Navaraagamalika Varnam (CD tracks 15-17) Robert Morris -- Chapter 10: Mozart: Piano Concerto No. 17 in G major, K. 453, Movement I (CD track 18) William Benjamin -- Chapter 11: Autonomy and Dialogue in Elliott Carter's Enchanted Preludes (CD track 19) John Roeder</field>
      <field key="540" subfield="a">ISBN 0-19-517789-4 kart. : EUR 26,58</field>
      <field key="700" subfield="">410</field>
      <field key="710" subfield="f">Aufsatzsammlung</field>
      <field key="710" subfield="s">Weltmusik</field>
      <field key="750" subfield="">Combining the approaches of ethnomusicology and music theory, Analytical Studies in World Music offers fresh perspectives for thinking about how musical sounds are shaped, arranged, and composed by their diverse makers worldwide. Eleven inspired, insightful, and in-depth explanations of Iranian sung poetry, Javanese and Balinese gamelan music, Afro-Cuban drumming, flamenco, modern American chamber music, and a wealth of other genres create a border-erasing compendium of ingenious music analyses. -- Through description of contexts of performance and creation, and especially compositional and formal construction, each chapter proposes stimulating ways to hear, conceive, and imagine these repertoires. Selections on the companion CD are carefully matched with extensive transcriptions and illuminating diagrams in every chapter. Opening rich cross-cultural perspectives on music, this volume addresses the practical needs of students and scholars in the contemporary world of fusions, contact, borrowing, and curiosity about music everywhere.</field>
      <field key="902" subfield="f">11╧Aufsatzsammlung</field>
      <field key="902" subfield="s">Weltmusik</field>
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