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EuropeanaInformation 
Raw data [ X ]
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    <record xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:europeana="http://www.europeana.eu/schemas/ese/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:prov="http://www.openarchives.org/OAI/2.0/provenance">
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    <identifier>hdl:11471/505.20.5</identifier>
    <datestamp>2021-04-23T09:59:29Z</datestamp>
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  <metadata>
<europeana:record xmlns:europeana="http://www.europeana.eu/schemas/ese/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xsi:schemaLocation="http://www.europeana.eu/schemas/ese/ http://www.europeana.eu/schemas/ese/ESE-V3.4.xsd"><dc:title>Studio portrait of Marija Jovanović</dc:title><dc:creator>Jovanović, Anastas</dc:creator><dc:contributor>Austrian Science Fund (FWF): P 22104-G18</dc:contributor><dc:description>Full-length shot of an elderly woman seated in an upholstered carved wooden chair.</dc:description><dc:description>Marija Jovanović (~1795–1879, Belgrade) was married to merchant Jovan Jovanović, with whom she had three children, Anastas, Mihailo and Katarina. Anastas later became a prominent photographer, while his sister married Nikola Hadži Popović, a high Serbian official. Marija belonged to a highly respected family in Vraca, an important administrative and garrison city during Ottoman rule. After her husband had passed away, she went to live with her brother in Belgrade, where the latter worked as a dressmaker for Prince Miloš Obrenović. Photograph kept in Anastas Jovanović's album.</dc:description><dc:description/><dc:subject>Photography</dc:subject><dc:subject>Clothing</dc:subject><dc:subject>Domestic Trade</dc:subject><dc:subject>Personal Names</dc:subject><dc:subject>Status, Role, and Prestige</dc:subject><dc:subject>Social Stratification</dc:subject><dc:subject>Familiy</dc:subject><dc:subject>Status and Treatment of the Aged</dc:subject><dc:source>Muzej Primenjene Umetnosti, 10430</dc:source><dc:publisher>Southeast European History and Anthropology, Institute of
            History, University of Graz</dc:publisher><dc:contributor>Ana Djordjevic</dc:contributor><dc:relation>Visual Archive of Southeastern Europe</dc:relation><dc:rights>Resource licensed under Creative Commons BY-NC-SA 4.0</dc:rights><dc:type>DigitalObject</dc:type><dc:identifier>http://hdl.handle.net/11471/505.20.5</dc:identifier><dcterms:isPartOf>http://gams.uni-graz.at/vase</dcterms:isPartOf><dcterms:spatial>Serbia</dcterms:spatial><dcterms:temporal>1860 before</dcterms:temporal><europeana:object>http://gams.uni-graz.at/o:vase.1004/IMAGE.1</europeana:object><europeana:provider>EuropeanaLocal Austria</europeana:provider><europeana:type>IMAGE</europeana:type><europeana:rights>http://creativecommons.org/licenses/by-nc-sa/4.0/</europeana:rights><europeana:dataProvider>University of Graz</europeana:dataProvider><europeana:isShownAt>http://gams.uni-graz.at/o:vase.1004</europeana:isShownAt></europeana:record>  </metadata>
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