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      <field key="004" subfield="">20130613105311</field>
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      <field key="050" subfield="">B</field>
      <field key="050" subfield="">a</field>
      <field key="051" subfield="">m</field>
      <field key="100" subfield="">Damschroder, David</field>
      <field key="331" subfield="">Harmony in Schubert</field>
      <field key="359" subfield="">David Damschroder</field>
      <field key="403" subfield="">1. publ.</field>
      <field key="410" subfield="">Cambridge [u.a.]</field>
      <field key="412" subfield="">Cambridge University Press</field>
      <field key="425" subfield="">2010</field>
      <field key="433" subfield="">XII, 321 S. : Notenbeisp. ; 25 cm</field>
      <field key="501" subfield="">Literaturverz. S. [307] - 315. - Inhalt: Part I. Methodological Orientation: 1. Harmonic progression. - 2. Linear progression. - 3. Common prolongations and successions. - 4. Chords built on bII, on III, and from the parallel key. - Part II. Masterpieces: 5. 'Ganymed' (D. 544). - 6. Quintet in A Major ('Trout', D. 667), movement 1. - 7. Symphony in B Minor ('unfinished', D. 759), movement 1. - 8. Piano Sonata in A Minor (D. 784), movement 2. - 9. 'Die junge Nonne' (D. 828). - 10. Four Impromptus (D. 899). - 11. 'Auf dem Flusse' from Winterreise (D. 911, No. 7). - 12. Piano Sonata in B flat Major (D. 960), movement 1. - Epilogue.</field>
      <field key="540" subfield="a">ISBN 978-0-521-76463-6 Pp. : EUR 98,91</field>
      <field key="540" subfield="b">ISBN 0-521-76463-7</field>
      <field key="700" subfield="">336</field>
      <field key="710" subfield="p">Schubert, Franz</field>
      <field key="710" subfield="s">Harmonik</field>
      <field key="750" subfield="">One of Western music's great harmonists, Franz Schubert created a wondrous and treasured body of music that has retained its fascination to this day. His innovative harmonic practice has been a topic of lively discussion among analysts for generations. Harmony in Schubert presents a fresh approach, yielding insightful readings of a large and varied range of excerpts, as well as readings of fifteen complete movements spanning Schubert's chamber, choral, orchestral, piano, and vocal output. Damschroder reformulates the apparatus for Roman-numeral harmonic analysis, integrating his own speculations with various strands of historical analytical thought, including Schenkerian principles and historical perspectives. In addition, he juxtaposes his readings of complete movements by Schubert with discussions of how they have been interpreted by other Schubertian analysts. The book sets a new direction for the future of music analysis, proposing innovative improvements on existing methodologies. [Verlagsangabe]</field>
      <field key="902" subfield="p">11╧Schubert, Franz</field>
      <field key="902" subfield="s">Harmonik</field>
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