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    <record xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:prov="http://www.openarchives.org/OAI/2.0/provenance">
  <header>
    <identifier>info:fedora/oai:e-book.fwf.ac.at:o:1236</identifier>
    <datestamp>2019-02-27T12:07:34Z</datestamp>
  </header>
  <metadata>

<oai_dc:dc xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
  <dc:publisher>De Gruyter</dc:publisher>
  <dc:language>deu</dc:language>
  <dc:date>2018-11</dc:date>
  <dc:subject xml:lang="eng">ÖFOS 2012, Art history</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2012, Kunstgeschichte</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2012, Kulturwissenschaft</dc:subject>
  <dc:subject xml:lang="eng">ÖFOS 2012, Cultural studies</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2012, Wissenschaftsgeschichte</dc:subject>
  <dc:subject xml:lang="eng">ÖFOS 2012, History of science</dc:subject>
  <dc:subject xml:lang="eng">ÖFOS 2012, Media history</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2012, Mediengeschichte</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories, The arts</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories, Photography &amp; photographs</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories, Art &amp; design styles: Arts &amp; Crafts style</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories, Historiography</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories, Popular culture</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories, Regional studies</dc:subject>
  <dc:subject xml:lang="deu">Fotogramm, Historiografie, Fotografie, Fotografietheorie, Gender, feministische Wissenschaftskritik, Materialität, Frühgeschichte der Fotografie, Handwerk, William Henry Fox Talbot</dc:subject>
  <dc:subject xml:lang="eng">photogram, historiography, photography, theory of photography, gender, feminist critique of science, material studies, prehistory of photography, craft, William Henry Fox Talbot</dc:subject>
  <dc:coverage xml:lang="deu">19. Jahrhundert</dc:coverage>
  <dc:coverage xml:lang="deu">19th century</dc:coverage>
  <dc:title xml:lang="deu">Am Rande der Fotografie</dc:title>
  <dc:identifier>https://e-book.fwf.ac.at/o:1236</dc:identifier>
  <dc:rights>http://creativecommons.org/licenses/by/4.0/</dc:rights>
  <dc:description xml:lang="deu">Weshalb gibt es eine Geschichte der Fotografie, jedoch keine Geschichte des Fotogramms? Dieser Frage geht die Publikation nach, indem sie sich der spezifischen Materialität, den wissenschaftlichen und künstlerischen Qualitäten des Fotogramms anhand einer historiografischen, semiotischen als auch gendertheoretischen Analyse nähert. So wird eine bis dato noch ausstehende Medialitätsgeschichte des Fotogramms realisiert und die historische Relevanz des bisher vernachlässigten Mediums herausgearbeitet.</dc:description>
  <dc:description xml:lang="eng">Why is there a history of photography but no history of the photogram? The publication pursues this question by approaching the specific materiality, the scientific and artistic qualities of the photogram on the basis of a historiographic, semiotic and gender-theoretical analysis. Thereby a still outstanding media history of the photogram is realized and the historical relevance of this so far neglected medium is worked out.</dc:description>
  <dc:creator>Steidl, K. (Katharina)</dc:creator>
  <dc:type>Text</dc:type>
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