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    <identifier>info:fedora/oai:e-book.fwf.ac.at:o:1000</identifier>
    <datestamp>2018-09-20T09:38:34Z</datestamp>
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  <dc:title xml:lang="eng">A 20 Quan jo n’èri amoroseta d’aceth gallant (When I was in love with that gallant) [Castéret]</dc:title>
  <dc:subject xml:lang="eng">ÖFOS 2012, Folk music research</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2012, Volksmusikforschung</dc:subject>
  <dc:subject xml:lang="eng">ÖFOS 2012, Ethnomusicology</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2012, Ethnomusikologie</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories, Folk &amp; traditional music</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories, Social issues &amp; processes</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories, Social &amp; cultural anthropology, ethnography</dc:subject>
  <dc:subject xml:lang="deu">Mehrstimmige Musik,  Instrumentation des Klanges, Instrumentalisierung des Klanges, Klang und Gesellschaft, Aufführung als Instrumentation, Tradition, Revival</dc:subject>
  <dc:subject xml:lang="eng">Multipart Music, Instrumentation of Sound, Instrumentalization of Sound, Sound and Society, Performance as Instrumentation, Tradition, Revival</dc:subject>
  <dc:description xml:lang="deu">Lokale Musikpraktiken beruhen auf Bestrebungen der Musikmacherinnen und Musikmacher zur kennzeichnenden und abgestimmten Teilnahme in Aufführungsabläufen. Die Protagonistinnen und Protagonisten teilen ihre Erfahrungsschätze und kulturelle Zugehörigkeiten und gestalten Klänge und Werte während sie die Regeln der Interaktion folgen und gleichzeitig ihre persönlichen Ziele übermitteln. Diese komplexen und dynamischen Prozesse sind wesentlich für die Untersuchungen der Instrumentation und Instrumentalisierung des Klanges.</dc:description>
  <dc:description xml:lang="eng">Local multipart music practices are based on the intentionally distinct and coordinated participation of music makers in the performing act. Following the rules of interaction while promoting at the same time their personal goals, the protagonists share their own treasure trove of experiences and cultural affiliations and shape sounds and values. Such complex and dynamic processes are central to the investigations of instrumentation and instrumentalization of sound.</dc:description>
  <dc:publisher>Ahmedaja, A. (Ardian)</dc:publisher>
  <dc:publisher>Böhlau</dc:publisher>
  <dc:date>2017-05</dc:date>
  <dc:type>Sound</dc:type>
  <dc:format>audio/x-wav</dc:format>
  <dc:format>44637928 bytes</dc:format>
  <dc:identifier>o:1000</dc:identifier>
  <dc:identifier>https://e-book.fwf.ac.at/o:1000</dc:identifier>
  <dc:language>eng</dc:language>
  <dc:coverage xml:lang="deu">20. und 21. Jahrhundert, Europa: English Pennines, Baltikum, Alpenraum, Zentral- und Ost-Europa, Mittelmerraum</dc:coverage>
  <dc:coverage xml:lang="eng">20th and 21st century, Europe: English Pennines, the Baltics, European Alps, Central and Eastern Europe, Mediterranean area</dc:coverage>
  <dc:rights>http://creativecommons.org/licenses/by/4.0/</dc:rights>
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